In Praise of Excess (w/ Becca Rothfeld)

Get new episodes early at patreon.com/CurrentAffairs !Becca Rothfeld is the nonfiction book critic for the Washington Post. Her new essay collection, All Things Are Too Small: Essays in Praise of Excess, draws together and expands on some of her best work. It covers subjects including Marie Kondo and minimalism, the films of David Cronenberg, the novels of Sally Rooney, and the new sexual puritanism. However varied the topics, a few important themes recur, including a rejection of utilitarian minimalism and an embrace of pleasure, and a view that fulfilling "basic needs" is not enough, because our "wants" matter too. The declutterers and the puritans strip away some of what is most essential to the good life. Becca joins today to talk about her arguments, including why she thinks Sally Rooney's egalitarian Marxism rings false.Declutterers’ books, it turns out, are every bit as insubstantial as their slender clients. All the staples are short and snappy: though they are padded with cute visualizations and printed in big, bubbly fonts, they are rarely much longer than two hundred pages, and all of them can be read (or, perhaps more aptly, gazed at) in a matter of hours. In place of full paragraphs and complete sentences, they tend to opt for sidebars, acrostics, and diagrams. Kernels of advice are surgically extracted from the usual flab of prose. Language is a vehicle for the transfer of information, never a source of pleasure in its own right. To enjoy the sound or look of a word would be to delight, illicitly, in something needless, something exorbitant. Hence the declutterer’s penchant for lists and bullet points, for sentences compressed into their cores: “You Know You Are an Obsessive Organizer When . . . ,” “12 Ways I’ve Changed Since I Said Goodbye to My Things,” “15 Tips for the Next Stage of Your Minimalist Journey.” Visually, the results are reminiscent of an iPhone, with apps sequestered into adjacent squares. Each page in The Life-Changing Magic of Tidying Up does its best impression of a screen. — Becca Rothfeld, All Things Are Too Small