Ceco - Red Strings
feeder sound - En podcast af feeder sound
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Click here for the feeder sound II OPEN CALL voting poll, available between 12th of May – 12th of June: www.feeder.ro/2020/05/09/vote-feeder-sound-open-call/ WINNERS announcement - 15th of June --- Ceco - Red Strings Set description: A reasonably diverse mix of slightly more UK-grounded things I’ve been listening to lately all making their way towards that Flabbergast track and its "invisible red strings" that I just can’t get enough of… Annoyingly running out of track for Gemini towards the end but totally worth it for the build up to that warm synth in the opening track. Recorded for an audience of 3 flatmates nodding their heads and tapping their feet in the background – the closest we have been to a party in a while. Enjoy. About Ceco Artist biography: DJ based in London. Like dancing to records, listening to records and mixing records (in that order:) Music tastes are of course always evolving and increasingly diverging as you always find new artists and sub-genres but I try to stitch together as many as possible in my sets whilst keeping the common thread going. Most of the times it works and of course sometimes it doesn’t but it’s rarely boring. This one is no exception with quite a few twists and turns – hopefully a welcome respite from the monotone blur that our lives are right now. Portfolio link: @ceco_lnd Current city: London, UK 🇬🇧🇧🇬 3 releases you enjoy the most: Recently: Wantan – Ramen 001, Toma Kami – Negative Extasy, Claudio Simonetti – I Love The Piano 3 Romanian artists you follow: Barac, Mihai Pol, Privu 3 international artists you follow: Zug, Batu, EOD Most played album: S. Moreira’s – It All Comes Back To Patterns is getting a lot of air time in lockdown. --- The feeder sound II project is organized by Save or Cancel team, composed of Cristina Popa (random) and Andrei Racovițan (ubic), through feeder.ro and is co-funded by AFCN, Thematic area: Digital art and new media. The program does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the program or the way the program results can be used. These are entirely the responsibility of the beneficiary of the funding.