Britten's Operas and British Identity with Imani Mosley

When a modern opera debuts, normally the stakes aren't very high. But when it's composed by Benjamin Britten and premieres in England after World War II, that's a different story. Britten's high-profile operas––whose performances were attended by Queen Elizabeth II––were seen as a reflection of British postwar identity. An interview with musicologist Imani Danielle Mosley on how a series of strange operas by queer, modernist composer became a referendum on what it meant to be British––and why...