The Great Flute Debate - Flutist vs Flautist. E: 323 with Jean-Paul Wright

Is this really that important?!  To some apparently it is! Hello, flute enthusiasts! This week on Talking Flutes, we dive into a topic that has sparked much debate within the flute-playing community: should we call ourselves flautists or flutists? Jean-Paul takes us on an engaging journey through the history, cultural context, and personal preferences that shape this ongoing discussion. The origins of the terms flautist and flutist are as varied as the music we play. The word "flute" itself comes from the Latin "flatus," meaning blowing or breath, which is central to the instrument's identity. The term "flautist" first appeared in English literature in the early 19th century, derived from the Italian "flautista." This Italian influence was significant during a period when many English-speaking musicians looked to Italy for musical inspiration. But why did we borrow an Italian term when "flutist" already existed? Some suggest that "flautist" added a sense of sophistication and prestige, reflective of the European classical tradition. Others believe it was simply a matter of style and preference. Today's use of these terms varies by region. In the United States and Canada, "flutist" is overwhelmingly preferred, likely due to the American emphasis on linguistic efficiency. Major musical institutions like the National Flute Association have standardised this term. Across the pond in the United Kingdom, "flautist" is the term of choice, aligning with the British love for tradition and European musical terms. In Australia and New Zealand, the British influence means "flautist" is more common, though American influences bring some variation. In South Africa, British English has historically dominated, making "flautist" more prevalent. Interestingly, in non-English speaking countries, the term used is often a straightforward derivation of the word "flute," with less controversy. For instance, French speakers use "flûtiste," and Germans use "Flötist," both aligning more closely with "flautist." So, why does this matter so much to people? For many musicians, the term they use is closely tied to their identity. In the classical music world, where tradition is paramount, calling oneself a "flautist" connects to the rich history of European classical music. Conversely, "flutist" feels more modern and accessible, appealing to those who find "flautist" elitist or pretentious. The debate also has professional implications. In the US, using "flautist" might be seen as unusual, while in the UK, "flutist" might come across as overly Americanised. This choice can reflect broader questions of professionalism and authority within the flute community. Ultimately, whether you call yourself a flautist, flutist, or simply a flute player, what truly matters is the music you create and the connection you make with your audience. Language evolves, and so do we as musicians. So, let's celebrate the diversity in our community and focus on what unites us: our love for the flute. 'Talking Flutes', Talking Flutes Extra', 'Bitesize' & Revisited' are podcast productions by the TJ flute company.  For more information visit https://tjflutes.com