Strictly Come Dancing: The Week 9 Review

The Kevin Clifton Show - En podcast af Kevin Clifton

Strictly Come Dancing Week 9 has just taken place, and as ever, it was packed with emotion, invention and high drama! Join Kevin, Joanne, and the community, as they waltz you through a complete look at Musicals Week - the narrative opportunities that arise from performing in a selection of storytelling music numbers - as well as the highs and lows that made this such a memorable weekend. KEY TAKEAWAYS As the show continues with each successive week, the talents and skills of the celebrities begins to refine, and therefore the competition becomes harder to call. Musicals week is an even better opportunity for couples to engage in a dance narrative - a form of expressive storytelling - as most musical numbers tell their own story. As a viewer, we must see only the dance, and feel the way that it is meant to make us feel. If we are seeing the technique involved, then we are being taken out of the dance. Sometimes our feelings can be invalidated when we hear the judge's remarks following a performance. If a performance makes you feel a certain way, then it's okay to disagree if it doesn't strike a judge in the same way. BEST MOMENTS  'That is how you go about doing a jive!' - 5:52 'It's a chance for them to play a character that already exists. There's a story laid out in front of them' - 12:00 'It's so hard this year because everybody is so good!' - 36:43 'This was such an improvement on last week. It's great to see her back on top where she belongs' - 50:25 VALUABLE RESOURCES The All New Kevin Clifton Show Patreon - https://www.patreon.com/TheKevinCliftonShow ABOUT THE HOST Kevin Clifton is a professional dancer who has been performing & competing at the highest level for over a decade. Kevin has worked on shows like 'Burn the floor' & 'Rock of Ages' to 'Strictly Come Dancing' one of the biggest TV shows in the UK which Kevin won in 2018.  CONTACT METHOD Kevin Clifton Instagram Kevin Clifton Facebook Kevin Clifton YouTube

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