@Percussion 281 - Michael Laurello

★ Support the show by becoming a patron: https://www.patreon.com/atpercussion​​​★ Follow us on: Facebook: https://www.facebook.com/atperc​​​Instagram: https://www.instagram.com/atpercussio...PodBean: https://atpercussion.podbean.com/​​​ Hosts: Casey Cangelosi, Ben Charles, and Ksenija Komljenović, Karli ViñaIntro music by Reese Maultsby - reesemaultsby.com Watch here  Listen below 0:11​ intro0:45​ today in history: composer Ethel Symth’s birthday, her work The March of the Women5:00​ Welcome Michael Laurello!6:04​ Michael’s work, Spine14:38​ qualities in performers that make the collaboration process more rewarding16:18​ Michael’s favorite collaborations18:06​ new work for Jeff Stern: “I always visit the same imaginary city when I dream” for prepared vibraphone and electronics20:40​ ear training for composers and recording engineers23:21​ new trends in recording expectations for performers and composers27:24​ Ben rant asking if recordings have ruined music, authenticity in recording29:19​ recording skills that students should be learning35:47​ San Francisco Classical Voice article, Freelancers on the Edge: How They Are Making It During Shutdown41:20​ how video editing fits into Michael’s work and the ability to control as a recording engineer43:40​ Glenn Gould’s take on recording vs. live music51:27​ Ksenija story about “cello” vs. “cello” in Serbian52:35​ studying with John McDonald, David Lang, Martin Bresnick, and Chris Theofanidis55:25​ Ben’s rant about music notation1:00:17​ Michael’s musical influences: Chick Corea, Herbie Hancock, Brad Mehdau, Meshuggah, Tool, Debussy, Ravel, medieval music (hocket, isorhythm)1:02:28​ Michael’s new piece for percussion quartet and chamber orchestra