@Percussion - 293 - Working in Film with Aleksandra Šuklar

★ Support the show by becoming a patron: https://www.patreon.com/atpercussion​​​★ Follow us on: Facebook: https://www.facebook.com/atperc​​​Instagram: https://www.instagram.com/atpercussionPodBean: https://atpercussion.podbean.com/​​​ Hosts: Ben Charles, Ksenija Komljenović, and Karli Viña Watch here  Listen below  00:00 Intro02:25 History – August 19: Bernstein’s Final Concert at Tanglewood (do you know which score he chose to be buried with?) and Lou Pearlman’s death in prison (producer of N’ Sync and Backstreet Boys)6:30 Guest introduction: Aleksandra Šuklar8:18 What’s up, Aleksandra?9:40 How did you get involved with music in film?10:55 Advice for folks who want to start working in film14:55 Getting into the music scene if you do not live in LA 16:13 Living in LA might not be all it is hyped out to be17:07 What is Hans Zimmer like?18:35 What does a remote session look like?20:53 What all do you have to do to your tracks before delivering?25:23 What kind of equipment and space are necessary to start out?28:08 How many takes do you do?32:39 Talking to producers, directors, composers throughout the process34:50 Not receiving scores, but midi/other parts to record36:35 How have you upgraded since you moved your recording activities into your new studio?40:40 Casey’s mic conspiracy theory43:31 How does one get paid for international work?49:16 Can one make a living doing remote sessions?52:12 IG Question from grin_osipov: Say hello from Grisha Osipov! Ask her how the pandemic changed her percussion routine and gigs.54:02 IG Questions from kian_soltani_cellist: What’s your favorite film score?