The @Percussion Podcast - 215 Martin Bresnick

watch here.  listen below 0:00 Intro and hello 2:32 Passing the Coordinator of the Composition Program at Yale University role to Christopher Theofanidis 5:02 Working with Robert van Sice on Grace, double marimba concerto 8:50 How to write for the marimba, considering its advantages and challenges 13:45 The concept of composers exploiting shortcomings of the instrument 17:16 How to approach composing openings of pieces 22:07 Martin’s music inspired by/married to other works of art 30:05 Should art be separated from (the morality and political ideologies of) the artist? 39:00 Martin’s chamber opera My Friend’s Story and Chekhov’s “Strakh” 40:58 Specificity of writing for percussion - Sō Percussion and Caprichos Enfaticos 42:34 Paul Lansky – a friend from High School of Music & Art in New York 43:56 Ben Charles: report on György Ligeti 52:44 Meeting Ligeti and early encounters 58:25 Ligeti’s Six Bagatelles – a little secret about Ligeti’s writing (Romanian folk song) 59:31 The becoming of Ligeti’s Le Grand Macabre 1:03:45 Ligeti’s Horn Trio 1:05:57 Ligeti – Magyarization of a German name 1:07:18 Nancarrow’s influence on Ligeti 1:08:26 Ligeti: “Martin, who do you think is the greatest living composer?” 1:13:40 A grand lesson from Ligeti 1:15:45 Ligeti’s 70th birthday and meeting Mandelbrot 1:22:30 Poème symphonique for 100 metronomes 1:25:00 Writing an autobiography? 1:26:10 Storytelling