Get Up in the Cool
En podcast af Cameron DeWhitt - Onsdage
462 Episoder
-  Episode 413: Nathan Vargo (Diva Fiddling and Flatfooting)Udgivet: 24.7.2024
-  Episode 412: Alice Gerrard (Luther Davis' Fiddling, Tommy Jarrell's Potato Soup, and Identity Movements in Old Time)Udgivet: 17.7.2024
-  Episode 411: Earl White (Green Grass Cloggers and Spreading the Old Time Gospel)Udgivet: 10.7.2024
-  Episode 410: Collin Stackhouse (Friend with a Podcast Tax and Health Care for All Oregon)Udgivet: 3.7.2024
-  Episode 409: Call Up in the Cool No. 4Udgivet: 26.6.2024
-  Episode 408: Northern Resonance (with Tall Poppy String Band)Udgivet: 19.6.2024
-  Episode 407: Steve Rosen (Banjo Whimsy)Udgivet: 12.6.2024
-  Episode 406: Smack Young Walser (Sweet-tooth Fiddling)Udgivet: 5.6.2024
-  Episode 405: Bobcat Opossum (Tune Scavengers)Udgivet: 29.5.2024
-  Episode 404: Calvin Woodring (Old Time Harmonica)Udgivet: 22.5.2024
-  Episode 403: Lillian Werbin (Elderly Instruments)Udgivet: 15.5.2024
-  Episode 402: Sweet Milk and Peaches (Midwestern Schottisches, Polkas, and Jigs)Udgivet: 8.5.2024
-  Episode 401: Keala Venema (Old Time Fiddle, Shamisen, and Chatting with Instruments)Udgivet: 1.5.2024
-  Episode 400: Emily Mann (Relaxed, Notey, G Tunes and Nashville Spring Distractions)Udgivet: 24.4.2024
-  Episode 399: Ian Desiderio (Old Time Jam Democracy)Udgivet: 17.4.2024
-  Tomorrow's episode will be delayed until midday; sorry!Udgivet: 16.4.2024
-  Episode 398: Noa (Bowing Bass and Physical Melodies)Udgivet: 10.4.2024
-  Episode 397: The Carolina Rose (Caroline Oakley and Rose Minkler)Udgivet: 3.4.2024
-  Episode 396: Church for Dogs (New Converts to Contra Dance)Udgivet: 27.3.2024
-  Episode 395: Kaden Hurst (Mandolin's Place in Old Time, Gender in Ballads, and Making a Nice Sound)Udgivet: 20.3.2024
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
 
 