67 Episoder

  1. Carnival in Basel/Kevin Klapka about the Fasnacht tradition

    Udgivet: 7.3.2022
  2. ..about love, acceptance, attentiveness and developed society

    Udgivet: 28.2.2022
  3. Sonates corellisantes/Telemann

    Udgivet: 19.2.2022
  4. Franz Schubert, his Shepard and a way to deal with words and letters/Francesco Spendolini

    Udgivet: 1.2.2022
  5. Music makes us equal/Uli Fussenegger

    Udgivet: 17.1.2022
  6. Merry Christmas! French ancient Xmas songs with Christopher Wattam

    Udgivet: 26.12.2021
  7. Ruins of the Arciorgano and the neutral third/Johannes Keller

    Udgivet: 22.12.2021
  8. The beauty of the human voice: Maya Amir and the cantata "Mi palpita il cor" by G. F. Händel

    Udgivet: 14.12.2021
  9. Norbert Rodenkirchen: medieval echoes

    Udgivet: 2.12.2021
  10. Sonority of PHAEDRUS

    Udgivet: 19.11.2021
  11. Improvisation time with Baptiste Romain

    Udgivet: 9.11.2021
  12. Ludwig van Beethoven and a little piano curtain

    Udgivet: 26.10.2021
  13. The core of music/interview with Marcus Weiss

    Udgivet: 8.10.2021
  14. John Walsh "the Pirate"vs. Georg Friedrich Händel

    Udgivet: 30.9.2021
  15. Alexis Kossenko: the ambassador of perfection

    Udgivet: 16.9.2021
  16. Finding beauty in a Paradise Lost / Christopher Wattam

    Udgivet: 5.7.2021
  17. Improvisation time with Peter Croton/special edition

    Udgivet: 24.6.2021
  18. Father or son? Intriguing life of a flute sonata by CPE Bach/First piano by B. Cristofori

    Udgivet: 15.6.2021
  19. Il Ciarlatano with Compagnia LA BALDRACCA/Thomas Höft, Michael Hell, Adrian Schvarzstein about comical Intermezzi by Giovanni Pergolesi

    Udgivet: 1.6.2021
  20. Good bye my love, I have no money/ Adieu mes amours by Josquin des Prez with ensemble "La Fiamma"

    Udgivet: 21.5.2021

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Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.

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