Music History Monday
En podcast af Robert Greenberg
Kategorier:
192 Episoder
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Music History Monday: Bob Dylan: Nobel Laureate
Udgivet: 1.4.2024 -
Music History Monday: The Towering Inferno
Udgivet: 25.3.2024 -
Music History Monday: Fake It ‘til You Make It
Udgivet: 18.3.2024 -
Music History Monday: An Opera Profane and Controversial: Verdi’s Rigoletto
Udgivet: 11.3.2024 -
Music History Monday: Tchaikovsky’s Swan Lake and Some Myths Debunked
Udgivet: 4.3.2024 -
Music History Monday: Too Late to Matter for Georges Bizet, though Better Late Than Never for the Rest of Us
Udgivet: 26.2.2024 -
Music History Monday: Frankie and Johnny, and Helen and Lee
Udgivet: 19.2.2024 -
Music History Monday: Unauthorized Use
Udgivet: 12.2.2024 -
Music History Monday: Getting Back to Work!
Udgivet: 5.2.2024 -
Music History Monday: Idomeneo
Udgivet: 29.1.2024 -
Music History Monday: Johannes Brahms, Piano Concerto No. 1
Udgivet: 22.1.2024 -
Music History Monday: American Pie
Udgivet: 15.1.2024 -
Music History Monday: Pianist, Conductor, Composer, and a Cuckold for the Ages
Udgivet: 8.1.2024 -
Music History Monday: Shostakovich Symphony No. 13
Udgivet: 18.12.2023 -
Music History Monday: The “Amusa”
Udgivet: 11.12.2023 -
Music History Monday: Unplayable
Udgivet: 4.12.2023 -
Music History Monday: Richard Strauss, Stanley Kubrick, Friedrich Nietzsche, and “Thus Spoke Zarathustra”
Udgivet: 27.11.2023 -
Music History Monday: The Great-Grandmother of All Concert Tours: Elton John’s “Farewell Yellow Brick Road: The Final Tour”
Udgivet: 20.11.2023 -
Music History Monday: Gioachino Rossini and the Comedic Mind
Udgivet: 13.11.2023 -
Music History Monday: The March King
Udgivet: 6.11.2023
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.