Get Up in the Cool
En podcast af Cameron DeWhitt - Onsdage
462 Episoder
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Episode 453: Brian Dolphin (Writing Original Tunes)
Udgivet: 30.4.2025 -
Episode 452: Shanice Richards (Jamaican Church, The Little Mercies, and Old Time with Somethin’ Sassy)
Udgivet: 23.4.2025 -
Episode 451: Morgan Harris (April Duo Bill Tour with Cameron DeWhitt)
Udgivet: 16.4.2025 -
Episode 450: Creekbed Carter Hogan (Labor Songs)
Udgivet: 9.4.2025 -
Episode 449: Joy Adams and Hazel Royer (The Low End of Big Richard)
Udgivet: 2.4.2025 -
Episode 448: Eva Leach (Musician Identity Outside of Performance)
Udgivet: 26.3.2025 -
Episode 447: Ellie Hakanson (Proto-Feminist Bluegrass Songs, John Hartford, and Hazel Dickens)
Udgivet: 19.3.2025 -
Episode 446: Carolyn Kendrick (Tradition, Reactionary Politics, and the Satanic Panic)
Udgivet: 12.3.2025 -
Episode 445: Kat Wallace (Old Time Fiddling and Writing Songs)
Udgivet: 5.3.2025 -
Episode 444: Natterjack (Contra Dance Music and Compulsory Non-Binary Identity)
Udgivet: 26.2.2025 -
Episode 443: T-Claw (Square Dance Calling)
Udgivet: 19.2.2025 -
Episode 442: Heather Blackbird (Unaccompanied Ballad Singing)
Udgivet: 12.2.2025 -
Episode 441: Whiskey Deaf (Annie Staninec and John Kael)
Udgivet: 5.2.2025 -
Episode 440: Richard Melling & Karen McCracken (Old Time Duet Singing)
Udgivet: 29.1.2025 -
Episode 439: Benny Bleu and Titus Stevens (Old Time in Upstate New York)
Udgivet: 22.1.2025 -
Episode 438: Dan Leif (Old Time Music in Portland, Oregon)
Udgivet: 15.1.2025 -
Episode 437: Call Up in the Cool No. 6
Udgivet: 8.1.2025 -
Episode 436: Joe Pomianek (Old Time Flatpicking Guitar and Mandolin)
Udgivet: 1.1.2025 -
Episode 435: Countercurrent (Original Tunes and Writing Anti-Capitalist Folk Music)
Udgivet: 25.12.2024 -
Episode 434: A Very Church for Dogs Christmas (with Kate Gregory and Jonathan Craig Roberts)
Udgivet: 18.12.2024
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
